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She has bright red hair and an unbridled passion for the electric blue color as a blazer, or a clutch of stiletto accompanies it, faithfully, on passerelle delle città più glamour del mondo. Non può fare a meno dei tacchi di YSL  e della Chanel nera 2.55. Di un trench di Burberry e dei jeans firmati Madewell.  E' sfrontatamente camaleontica: riesce ad interpretare alla perfezione lo spirito punk impigliato tra le maglie di una collana di catene e croci, ad adattarsi all'anima radical chic di un parka verde militare, a calarsi nell'impalpabile femminilità di una camicia di seta. Collane esuberanti, labbra scarlatte ed occhiali dalla montatura vintage sono il suo segno di riconoscimento. Non disdegna le Converse ai piedi, mixare oro giallo e bianco. E in un mondo in cui le mode vengono distrutte ancor prima di venir comprese, amate ed odiate she is not afraid to live them intensely, making them his own. Like all of us wearing the same bag, day after day. Transforming it into a business card of his style and personality. And we like even more.

(Font - Garance Dorè - Jak&Jil) 

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The secret beauty of vintage & Pupa

L'uso (e l'abuso) del termine vintage è diventato una moda. Un po' come un vestito a coda di velo o come una maxi clutch da arricciare sotto il braccio alla luce di un tiepido sole di inizio febbraio. E nell'epoca dell'apparire e dell'ostentazione del marchio poter vantare nel proprio armadio un capo d'annata è un diritto that nobody wants to give up. But few know that the word derives from French vintage vendenge, in turn modellatosi term on the Latin vindemia with which it was customary to give the wines aged. Few people know that this can only be called a leader who has over twenty years. Few even know that research takes time and effort of the vintage. And a bit of courage when you fall in love with a bag in caramel-colored alligator 70s or a pair of stravissuti camperos not be afraid and do not be misled by the rules imposed from the latest issue of Vogue. The vintage is love at first sight, love at first sight that leaves you breathless on a Sunday in late February as you stroll through the narrow streets di Roma. Pochi sanno che il vintage è per tutti, anche per chi è vittima delle passerelle e delle vetrine: basta un paio di lenti oversize color cipria per sentirsi Brigitte Bardot pur calzando l'ultimo paio di Louboutin. O una cinta a vita alta rubata dall'armadio della mamma per dare il giusto tocco hippy all'ultimo vestito bianco di Zara. Pochi sanno che a Roma bisogna avventurarsi tra gli scaffali di Pifebo e tra i fumosi garage di Via del Governo Vecchio per lasciarsi avvolgere dalle note dei Beatles. Dal profumo della pelle invecchiata. E trovare un trench Burberry che sembri uscito da un film in bianco e nero. Pochi sanno che un capo vintage ha un valore inestimabile. Un valore che tiene conto degli anni passati, delle generazioni che l'hanno attraversato, of love that he lived, the endless night of which saw the dawn of the songs he heard and dreams of those who have worn that they carried out.

(Font. - Garance Doré - Jak & Jil)

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the challenge of color

Play with color. As children return to some time between the classroom, where they spent the afternoon with his hands immersed nell'astuccio in search of the pink marker. Playing with colors to remind us that the mascara is not only black but can be dyed blue, green and yellow, why not. Playing with colors so that our beauty is not only a mirror of our days spent in front of a computer, but something more, it's about us, our curiosity and our desire to experiment: the same desire that makes us women we are. Play with color without being afraid to get their hands dirty. Pencils, erasing the mistakes with a cotton swab dipped in cleanser. Coloring the white paper made available to us to take notes, our eyes and our nails. Follow your instincts and not the fashion of the moment. Breaking the mental barriers that the orange on our lips can not find home. Playing with color and space to give voice to our children and be at the same time to say, with determination and a pinch of irony, that we are not afraid of change. To dare. To leave home the black, in all its forms and di farci notare. Anche grazie al colore.




P laying with colours. Like children, back, for few hours, among school desks, when the afternoons were spent with the hands in the pencil-case looking for the pink crayon. Playing with colours to remember that mascara is not only black, but could turn blue, green and, why not?, yellow. Playing with colours in order to make our beauty-case a mirror not only of the days spent in front of the computer, but something more than that: it has to talk about us, our curiosity and our need to experiment, the will that makes us who we really are. Playing with colours without any fear of soiling the hands. Sharpening pencils, deleting mistakes with a wad dipped into cleansing cream. Coloring blank paper provided to make notes, our eyelids and our nails. Following the instinct and not the trends. Breaking the rules that say "orange is not for your lips!". Playing with colours to give voice and space to our childish part and, at the same time, to state, firmly and ironically, we are brave enough to change. To risk. To leave black at home and to distinguish ourselves. Even because of the colour.

Questa è la sfida lanciata da Pupa for next spring and summer along with other bloggers, I had the honor to know in advance, in a Tuesday in late February in Milan. Very soon all the reviews of "combat weapons." Are you ready to abandon your comforting brown matte eye shadow??


T His is the challenge put out by Pupa for the next SS collection, Which I Had the honor, with other bloggers, to see on a Tuesday of February in Milan. I'll give you as soon as possible a review of All These "weapons". Are you ready to fight Against your usual matte brown eyeshadow? ?